13,392 Free Images of Hand Colored

hand-colored plants engraving ornament england botany period great britain 1829 copper engraving

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KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le chat et le rat (The Cat and the Rat), Jean-Baptiste Oudry, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A View of the Grotto & Two Shell Temples in the Gardens of Earl Temple at Stow, in Buckinghamshire, George Bickham the Elder

engravings in the yale center for british art george bickham the elder

Hudson River Portfolio: Looking South from Battery Knox, West Point, Charles Parsons, 1859

lithographs in the national gallery of art (washington, d.c.)charles parsons (artist)

Stocks Are Down- Heigh-Ho!!, George Murgatroyd Woodward, 10 August 1799

george moutard woodward rudolph ackermann

The Allied Bakers or the Corsican Toad in the Hole, George Cruikshank, 1 April 1814

hannah humphrey george humphrey

Pedro II of Brazil 1851 color, Louis Buvelot, circa 1851

pedro ii of brazil in the 1850s abraham louis buvelot

Christ on the Mount of Olives, Albrecht Dürer, 1508 and 1580s

engravings by albrecht dürer in the national gallery of art german renaissance

School for Modern Greeks, Thomas Rowlandson, 10 May 1802

prints by thomas rowlandson in the metropolitan museum of art romanticism

Pull'd Turkey, Collard Pig, A Calf's Pluck and Rusty Bacon, Thomas Rowlandson, 1807

sir edward herbert bunbury romanticism

Detail of landscape by Wu Pin (Wu Bin), ink and color on paper, 1610, Wu Bin

hand scrolls from china in the honolulu museum of art wu bin

Study sheet with arms and hands, Peter Paul Rubens, between 1610 and 1613

drawings by peter paul rubens in the kupferstich-kabinett (dresden)flemish baroque painting,baroque

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Capitol at Washington, Nathaniel Currier, circa 1850

lithographs in the national gallery of art (washington, d.c.)lithographs of washington, d.c.

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Procession of the Knights of the Garter, Marcus Gheeraerts the Elder, 1576

procession of knights of the garter by marcus gheeraerts i hand colored etching

The Little Black Bullfinch (Rubicilla minor nigra), Johann Michael Seligmann, probably 1743/1762

etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after mark catesby

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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Mata Hari 8, 1906

hand-colored photographs of mata hari postcards by lucien waléry

Mata Hari 9, 1906

hand-colored photographs of mata hari postcards by lucien waléry

Jacques de Falaise le polyphage, 1816

louis-marie lanté 1816 in paris

Character cheerful child

vegetables character

Yagan cropped, George Cruikshank

images of yagan that may be disturbing and offensive engravings by george cruikshank

Motion Picture, 1 May 1915

motion picture covers antonio moreno

Japon-1886-08, before 1886

photographs of japan by raimund von stillfried adolfo farsari album 01

Les Glaces, 1801

ice cream in france le bon genre

Aquatint of a Doctor in divinity at the University of Oxford, shown wearing convocation dress, Rudolph Ackermann

academic dress of the university of oxford academic dresses in art

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, George Cruikshank, 1835

etchings in the yale center for british art etchings by george cruikshank

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805

aquatint prints in the yale center for british art james gillray

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820

aquatint prints in the yale center for british art isaac robert cruikshank

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love...", Thomas Burke, 1789

etchings in the yale center for british art thomas burke (artist)

Second aerial travelers, or experience of Messrs. Charles and Robert made in Paris in the flowerbed of the Royal Garden of Thuilleries on December 1, 1783. View taken from the Pont Royal.

first manned hydrogen balloon flight by jacques charles benoît louis prévost

United States Military Academy, Looking South, John Hill, 1828

prints in the national gallery of art (washington, d.c.)john hill (artist)

Lachnolaimus maximusCatesbyV2P015AA, 1754

the natural history of carolina, florida, and the bahama islands (1754)lachnolaimus maximus

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Cerito [sic] in the Sylphide., 1846

jerome robbins dance division fanny cerrito in la sylphide

Butterfly Hunting, Thomas Rowlandson, 1806

prints in the national gallery of art (washington, d.c.)romanticism

Dying for Love, or Captain Careless shot flying by a Girl of Fifteen, who Unexpectedly Popped her Head out of a Casement, Thomas Rowlandson, 1810

prints in the national gallery of art (washington, d.c.)romanticism

Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789

etchings in the yale center for british art isaac cruikshank

Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance, James Gillray, 1782

etchings in the yale center for british art james gillray

Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?, James Gillray, 1791

etchings in the yale center for british art james gillray

Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790

etchings in the yale center for british art isaac cruikshank

Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790

etchings in the yale center for british art isaac cruikshank

Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever, Paul Fourdrinier

engravings in the yale center for british art pierre fourdrinier

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